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Rather, I'm trying to get at that occurrence that cannot be divorced from going to a club and hearing music on a dancefloor, which is the true home of all Dance music.įeeling your body respond to the huge vibrations beaming out from a club sound-system is pretty powerful, and given the right sort of musical mood and rhythm, can become a transportive, mesmeric experience. This form of looping falls into a category I like to term 'Hypnotism' - of course, I'm not referring to the sort involving conjurors coercing unsuspecting audience members into taking their clothes off! Of course we have Benjamin Diamond’s silky vocals, a couple of bassline changes and some filter sweeps to keep our interest going, but basically we are hearing this short, barely 2-second long sample of keys and guitar stabs from the Chaka Khan tune for well over 6 minutes. The formula for this track is beyond basic - take a tiny sample from the very beginning of Chaka Khan’s Fate, add a bassline and thumping drum machine groove underneath. This cut, Stardust’s sole release, is another unequivocal classic from French House’s late 90s heyday and features production from Alan Braxe and Thomas Bangalter, one half of House heroes Daft Punk. Here’s another area of contemporary music that simply would not exist without looping - Dance, or its main component genres, House and Techno. Hypnotism / Stardust - Music Sounds Better With You The resulting groove makes this an utterly irresistible combination and sometimes, when the simple things are done right, you just don’t need anything else !Ģ. In other words, the beat is simplicity itself, bumping along as those two central loops weave in and out of their respective cycles. This also makes it easier to listen to repeatedly, as it's tricky to guess just exactly where the next kick or snare hit is going to fall.
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This gives the pattern an organic, human feel, much more like real drumming than a tight, quantised groove. The drum rhythm is fairly loose and clearly performed by hand, probably on the pads of an MPC-style groovebox.
AMERIE 1 THING CHORDS MOVIE
1 - 2: Movie Scenes’, and is named after the beat’s main sample taken from James Brown’s The Payback.Īpart from a short intro arrangement and peppering of different vocal and speech samples throughout, the track basically consists of just a 3-bar drum machine loop and 3-chord guitar loop, featuring together for the track's almost 2 minute running time. The cut I’ve chosen, produced by the legendary Madlib, is from an instrumental collection of beats titled ‘Vol. Let’s begin with a genre entirely built around sampling and looping - Hip Hop.
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![amerie 1 thing chords amerie 1 thing chords](https://getsongkey.com/img/audio-analyzer/pitch/1-thing-amerie_5739811.png)
Don’t believe me? Well, let’s see if I can convince yo u! My central thesis here is a humble one - find the right loop, and the music writes itself. I'd like to explore this question from 4 different angles, by means of examining a number of carefully selected examples from music’s recent history So, why then can music loops take such a hold over us? The point remains however - in other aspects of life, we quickly get bored if we encounter the same stimulus over and over again. Of course, this analogy isn't quite so clean-cut, as a chapter might take you 10 to 20 minutes to read, whereas a Pop song can be over in less than 3. Cycle SenseĬommon sense tells us that looping should be boring - imagine trying to read a chapter in a book consisting of a single sentence, repeating over and over from paragraph to paragraph. At ModeAudio, it’s beyond obvious that we believe in the power of music loops, which is why we take such pride in making the best that we possibly can to inspire your music.Įvery so often however, rather than detailing a specific music production technique or idea, I like to use this section of our website to give you an insight into our ethos - the ‘philosophy of ModeAudio’, if you will.Ī big part of this philosophy, perhaps even the cornerstone, is this very belief in the power of the loop, and so I’d like to take this opportunity to discuss the subject with you.